Wednesday, May 15, 2013

Opening chapters for free!

As a special gift here's the opening chapters of The Drink and Dream Teahouse, for free!  You can't get better than that - and if you like it you can download it or buy it from Amazon. 

I've even included a pdf that you can import into Kindle or your ipad: free sample here

Enjoy!



 






For two weeks exploding firecrackers shredded the winter gloom at Shaoyang’s Number Two Space Rocket Factory. The fourteenth and last night was the Lantern Festival: hopeful lovers carried their hearts in moth-skin lanterns, bobbing like hooked fish on the ends of long canes. A river of stars flowed through the night, the candles burned steadily down, and after midnight solitary spirits wandered the streets with increasing desperation – searching for their perfect match, who might never come.

The next morning the radio announced the end of the holiday as children searched in the frost for the last unex­ploded bangers and detonated them in a ragged battle of irregular gunfire. At 7-45 a.m., Beijing Time, Party Secretary Li woke suddenly from a cold green dream that had stranded him back in the year 1967, and which had left him perplexed and nervous. It was the fourth time in as many weeks that the same dream had blown confusion into his sleeping mind, and this time he lay and shivered and thought hard, testing himself for any signs of private insanity.

Next to him Autumn Cloud, his wife, lay wrapped in cotton quilts, her head tilted back and mouth open, asleep. Party Secretary Li got up and opened the window to feel the frost on his skin. There was a chill morning breeze; firecrackers were sporadically shattering the silence. He rubbed his eyes as the smell of gun powder smarted in his nostrils; opened them and saw the white snow sprinkled with the fallen petals of paper – cold and red.

Party Secretary Li tried to carry on his morning’s activities as if nothing at all had happened. He cleared his throat into the toilet, then sat to empty his bowels in one long fluid motion, wiped away the excess with a strip of newspaper. He examined his old walnut-wrinkled face in the mirror and rubbed the chin of stubble that bristled defensively against the cold. He lit a cigarette and smoked; tried hard to be normal.

At breakfast Autumn Cloud steamed five bread buns full of date paste; and poured out two bowls of sweet rice gruel, patterned with red jujubes and white tremella. She slurped expansively, and he slurped in reply. Slurp, slurp went their morning conversation. Next door, from her concrete balcony, Madam Fan was serenading the world with Beijing Opera. Her voice was shrill and beautiful, every note of the arias perfectly delivered. This morning she sang the young nun’s soliloquy from The White Fur Coat:

      A young nun am I, sixteen years of age,

     My head was shaven in my young maidenhood

Party Secretary Li slurped, and his wife slurped back.

    My head was shaven in my young maidenhood

    When beauty is past and youth is lost

    Who will marry an old crone?

‘She’s been a crone for years,’ Autumn Cloud muttered. ‘Who does she think she is?’

Party Secretary Li looked up from his breakfast and stared at his wife. Her eyes held his then turned away. The words of the aria seemed to him very beautiful for an instant.

    They are not for my bridal chamber

    These candles on the altar

    They are not for my bridal chamber

He could picture Madam Fan with her sleeves blowing in the breeze, her shadow dancing on her concrete step next to her.

 
    From where comes this suffocating ardour?

    From where comes this strange, unearthly ardour?

The lonely words drifted across the skyline of grey concrete tenements and over the Shaoyang Number Two Space Rocket Factory’s roof of corrugated iron; across the river, beyond the East and North Pagoda, to the hillsides of bamboo and pine, where the north wind whispered back. Party Secretary Li sat for a moment, eyes closed, breathing in circles, in and out, and felt for an instant a canyon-deep calm.

    A young nun am I, sixteen years of age

    My head was shaven in my young maidenhood

    For my father, he loves the Buddhist sutras

    And my mother, she loves the Buddhist priests.

Party Secretary Li laughed suddenly. He stood up and put on his army greatcoat and Russian fur hat.

‘I’m going to the office,’ he said.

As he left his wife shouted, ‘I thought you retired!’

He ignored her as he always did, and walked outside.

‘What good’s a husband who is always away from the house?’ she cursed his footsteps, muttering as she cleared away the breakfast dishes. Party Secretary Li startled her so much by coming back and answering her this time that she dropped the blue bowl, which shattered, scattering shards across the white tiles, patterning them with fragments of blue and white. He stood for a moment in the doorway, sang to her the line ‘A young nun am I, sixteen years of age,’ and then turned and left.

Autumn Cloud hurried to the door to watch him. Who did he think he was? What if word got around that her husband was singing the lines of a young girl?

The offices were closed, so Party Secretary Li walked around the back of Number 7 block of flats. He stood and surveyed the black soil of the allotments. Old Zhu was there, raking up dead leaves into a heap. His white hair, gap-toothed smile and skin of a baby.

‘How was Spring Festival?’ Party Secretary Li asked.

‘Good!’ Zhu answered. ‘Good!’

‘Did your son come back?’

‘No, too far. Too far. And yours?’

‘No. Had no time off.’

They stood in silence for a while. Young people never came back to Shaoyang, not even to die. There was nothing for them here, except memories. Party Secretary Li watched Old Zhu rake up another pile of leaves. There were now two piles of leaves, two tumbled mosaics of russet and black and brown. He lit a cigarette.

‘Want one?’

Old Zhu shook his head.

Party Secretary Li lit his own, breathed in and then out in a long plume of smoke. It tasted stale. He threw it away, burrowed his hands deep into his trouser pockets. He watched Old Zhu rake up a third pile of leaves. The three piles made up the shape of a triangle. Three was a lucky number, but in each pile of leaves he could feel the chill of his dream: it was in the cigarettes he smoked, the food he ate, and it coloured his sleep.

‘Did you hear?’ Old Zhu asked, as he straightened his back and leant on his rake’s shaft.

‘Hear what?’

‘They’re closing the factory,’ Old Zhu said.

‘They’re doing what?’ he asked.

‘Closing the factory.’

‘This factory?’

‘Yes.’

‘Impossible.’

‘It’s true.’

‘It can’t be.’

Old Zhu looked up into the thicket of branches above his head that rained the leaves that he raked into piles. He thought of the factory, scratched his head, and said simply, ‘It is.’

 

Party Secretary Li’s seventy-eight-year-old heart palpitated as he hurried home. They couldn’t close the factory, he told himself, not this factory. He opened the front door and called out to his wife. There was no answer. He checked in the kitchen, she wasn’t there. He went to the bedroom door and opened it, but apart for the pale winter sunlight that stretched across the floor, the room was deserted.

The wooden chair creaked in protest as Party Secretary Li sat down at his desk, creaked again as he shuffled closer to the desk. He picked out his finest brush and squirted some ink from a plastic bottle onto a white chipped plate. The ink settled across one half of the plate, black and white, yin and yang. He dipped his brush into the ink and settled his mind. Madam Fan was still practising her Beijing Opera, she had a tape player on in the background. Fan and tape mixed up so that he could no longer tell which was which. Outside he could smell the smoke that drifted up from Old Zhu’s burning leaves, as they crumbled into ash.

Party Secretary Li leant over a long sheet and the world went very silent, except for the whisper of brush on paper. He wrote the strokes of each character out carefully, stood back to survey his work. He took out his seal and printed his red square stamp at the end, then hung the first banner from his study window.

It read:

Our Leaders are Drunk on the Taste of Corruption

He returned to his desk and drew another sheet of paper from the pile. He dipped his brush into the ink and wiped away the excess.

The Immortals are Jealous of the Lifestyle of Our ‘Offi­cials

He stamped it with his seal of red.

The Privileged Officials Masturbate Over Blue Movies

And pulled another sheet from the pile. Autumn Cloud spent the morning shopping in the market. She bought pork and spinach, beansprouts and a square of dofu. On the way back she met Mrs Cao who invited her to go and play mah-jong.

‘We’re betting,’ Mrs Cao said with a wink.

Autumn Cloud screwed up her face.

‘Come on, I’ll carry your shopping!’ Mrs Cao insisted. ‘We need a fourth person.’

They joined Madam Fan’s husband and sister who were playing mah-jong in the kitchen. There was a brazier of glowing coals under the table that kept their feet warm, while their fingertips were still icy cold. Madam Fan sang on the balcony, occasionally casting disapproving glances at them through the window. Her arias and the clicking sound of the tiles being shuffled filled the morning. Autumn Cloud was nervous because she was starting to lose money. She pre­tended it was of no matter.

‘I wish she’d give up on her rotten singing!’ Madam Fan’s husband cursed.

Autumn Cloud laughed louder than the rest.

‘The factory’s going to be closed,’ Mrs Cao mentioned.

‘Good,’ Madam Fan’s husband replied.

‘Good,’ Autumn Cloud echoed, not meaning to say good at all. They shuffled the tiles around the centre of the table as she sat worrying. ‘What will happen to our pensions?’ she asked at last.

‘Oh, they’ll still pay them,’ Mrs Cao said.

Autumn Cloud nodded, trying to hide her relief. ‘And what about the workers?’

‘I don’t think there are any workers left are there?’ Madam Fan’s husband replied.

‘A hundred I think,’ Mrs Cao said.

Autumn Cloud nodded to back up this piece of informa­tion.

Madam Fan’s husband was unconcerned. ‘Serves them right. They should have found another job. Set up in business. Have to move with the times. What about the Four Modernisations? What about the Open Door Policy? What about the Socialist Market Economy? Don’t they know the world has changed?.’

Autumn Cloud nodded. Yes, yes, serve them right. Have to move with the times.

She was still losing money when Peach, Madam Fan’s daughter, ran in. Peach looked white, she was so white that she looked unhealthy.

‘Mrs Li come quickly,’ Peach gasped.

Mrs Cao scowled at Peach because she was on a winning streak.

‘Mrs Li come quickly,’ Peach gasped again, then giggled and put her hand over her mouth. ‘There are bad words hanging out of your windows!’

Autumn Cloud went as quickly as she could, but her left leg was stiff and it didn’t like to hurry. She went down the steps and followed Peach out of the door. Peach pointed up.

‘Look Mrs Li.’

Autumn Cloud looked up.

The Party Officials are Screwing Our Daughters hung from the bathroom window.

The Fifth Modernisation – Democracy wasdraped overthe balcony railings.

Fuck the Communist Party wafted gently on the breeze.

‘Oh heavens!’ she gasped, and held her left hand. ‘Oh heavens!’ she said again, and her left hand began to shake.

 



---------------------
 

The community gathered in Old Zhu’s house to discuss what to do. Old Zhu held up a torn banner that he had managed to pull off the Li family’s balcony. He held it up:

The Mercedes Benz Stops Nightly at the Red Light District.

‘What does it mean?’ Peach asked.

Old Zhu cleared his throat. ‘It means Party Secretary Li is sick,’ he said. Everyone nodded.

‘What can we do about this?’ Madam Fan asked, moving forward into the centre of the room.

‘Yes, we don’t want trouble.’

Faces turned to Autumn Cloud who sat in the corner, small and shaking like a frightened child in the arms of Old Zhu’s white-haired wife. They hoped for a reaction from her, but she gave none. She just sat and shivered. Old Zhu’s wife smoothed her hair back from her face.

‘So what will we do?’ Madam Fan asked.

Everyone turned to Old Zhu. He was the most senior person there. It was his decision. They looked to his white hair and gap-toothed mouth for the words of guidance.

‘He’s locked the door,’ Peach put in.

Old Zhu nodded at this piece of intelligence and everyone watched him think. Autumn Cloud shivered in the corner, as Old Zhu’s wife held her close and wiped away the sweat from her forehead.

‘Party Secretary Li has been upset by the factory closing,’ Old Zhu said at last. People held their breaths as they waited for more. Old Zhu scratched his head.

‘He has worked all his life to build the Motherland. He was a shining light to all of us – we learnt from his example.’ Someone cleared their throat. ‘All his life he has been an exemplary Party Member. And Autumn Cloud was a model worker too.’ People turned to offer sympathetic looks to Autumn Cloud but she didn’t hear or see anything in the room. ‘We have to help him. We must help him understand that the closure of the factory is good for the country. We must help build the Socialist Market Economy!’

Party Secretary Li hunched over his desk and looked into his cup of tea. A single jasmine flower swirled slowly on its surface, round and round. He could hear the crowd of voices outside his doorway. They were discussing what to do. Old Zhu was there, all of the neighbours as well. They discussed between themselves for a while, and then they resumed banging on his door. The thunder of all their fists on the metal door boomed through the flat; then there was a moment of stillness, like gentle rain.

‘Comrade!’ Old Zhu called. ‘Comrade!’

Party Secretary Li didn’t answer. He was out of paper, but he still had the bed sheets.

‘Comrade Li! We have a doctor here.’

‘Neighbour Li!’ another voice called.

‘Brother-in-law Li!’ So they’d got Autumn Cloud’s sister here as well.

 

‘It’s no use,’ Old Zhu told the conference that evening. ‘We will have to call his family. Where are his children?’

‘Does she know?’ Madam Fan asked, pointing to Autumn Cloud.

‘Where are your children?’ Madam Fan’s husband shouted into her left ear. ‘Your children!’ Madam Fan shouted into her right ear. Old Zhu took her hand, and looked her in the face. ‘Comrade. Autumn Cloud, where are your children. We are trying to help you. Where are your children? Your children? Children.’

They’d given up on getting an answer, and some of them had actually left to go home when Autumn Cloud spoke.

‘Seven, six, five, two, two, eight, eight, eight.’

‘Can you say that again?’ someone asked.

Autumn Cloud repeated. ‘Seven, six, five, two, two, eight, eight, eight.’ Old Zhu reached for a pen and wrote down her words.

‘It must be a telephone number.’

‘Yes but where?’ Madam Fan said. ‘It’s not a Shaoyang number. Her children aren’t in Shaoyang. They’ve gone south.’

‘We’ll try every city in China,’ Old Zhu declared with confidence. He smiled as he announced, ‘We’ll save the duck by stealing her eggs!’

As the residents of Shaoyang Number Two Space Rocket Factory gossiped about the scandal of the Li family, Old Zhu sat on the phone and diligently tracked down each of Party Secretary Li’s four children. Two were in Guangzhou, one was working in a factory in Shanghai, and the fourth was a teacher in a nearby middle school. He confided to each of them that their father was seriously ill, and that their mother had had a relapse. They all packed immediately and set off on the long journey home.

Each banner Party Secretary Li hung from his window the residents of Shaoyang Number Two Space Rocket Factory had torn down by using long poles and canes with hooks on the ends. His neighbours had even managed to tear the flapping white blankets off the railings while he was trying to stop anyone getting the banner that hung from the bathroom window. But Party Secretary Li was too old and wise for all of them; he still had one sheet left. It was enough for his final protest.

He walked into the bedroom and felt his hands tremble as he pulled the top sheet off the bed. It resisted for a moment, so he yanked violently. Its folds ripped out from under the mattress and it swirled in the air before falling prone across the floor, one end still clamped in Party Secretary Li’s fist. He pulled it across the floor and jammed it under the bed leg so that it was rammed down tight, then began walking back­wards, step by slow step. He twisted the sheet round and round, determined hands continuing the torture till the sheet was a white cotton rope. He kept twisting till the fibres groaned in protest, then he twisted it one more turn and the end of the rope began to bend into a noose.

When he was satisfied, Party Secretary Li climbed onto the bed and reached up to tug on the fan shaft. It felt solid enough. He tied the rope onto the fan with a knot the size of a skull, then climbed down. There were four dirty footprints embedded into the cotton quilt, that still smelt freshly washed. He imagined his wife having to re-wash the sheet, and silently rebuked himself.

Party Secretary Li’s shaking hands patted out his last footsteps and smoothed back the hair from his head as he took a deep breath. His wife’s face haunted him for a moment

– she would understand, he thought, she knew what the factory meant to him – then he took another deep breath. It didn’t calm his nerves. He looked around the room, on the desk lay his brush and the ink-smeared plate. Yes, that’s what he had to do. He took the brush and wrote huge black characters across his bedroom wall, reaching up high for the top characters and bending down low for the bottom ones. As he wrote the ink dripped one huge character into another, like they were banding together for solidarity.

They were still dripping as Party Secretary Li washed the ink from his brush and returned it to its porcelain holder. He put the lid on the ink bottle and then turned to face the bed. He checked his cigarettes in his breast pocket, took off his shoes, neatly arranged them next to each other, then stepped up. The soft mattress swallowed his feet and he swayed like a man aboard ship, hanging on to the rope to steady himself. When he was steady he lit his cigarette and put the noose around his neck, and it lay on his shoulders like the arm of a trusted friend.  

As Party Secretary Li smoked his hands shook terribly. Half way down he threw his fag away. Closed his eyes. Took a deep breath.

And stepped.

Off the bed.


The noose tightened slowly and Party Secretary Li gasped for breath, his fingers clawing at his neck. His feet kicked violently; his lips peeled back in a desperate grimace. His breathing became strangled gasps. Blood started out where his fingers had scratched. After a few minutes the violence of his kicking slowed to an erratic waltz. Urine trickled down his legs as his bowels opened. His gasps changed to gurgles. His open mouth gaped like a beached fish. His eyes bulged.

There was a brief moment when the throttling pain lifted: the words on the wall swam together, and the last thing his straining eyes focused on was a single thread of ink, dripping down the wall.

The ink dried to a thin crust of black on the white plaster as a crowd gathered outside the door of Party Secretary Li’s flat. Old Zhu directed them as they brought up a large hammer. Stand back, he shouted, stand back. The hammer swung and the empty rooms echoed with shouting voices and the thuds of the pounding hammer. Party Secretary Li heard nothing as he hung above the bed, his sporadic twitches stilled, his feet motionless.

When the metal door was bent and twisted it was kicked open, and the residents of Shaoyang Number Two Space Rocket Factory rushed inside. They spread through the flat in a panicked crowd while Old Zhu walked straight to the closed bedroom door and pushed it open. Party Secretary Li’s body was suspended from the roof, feet swaying slightly in the draft from the door. Old Zhu stopped and shook his old head, felt shock clutch his throat. He gasped and shivered, felt tears build up in his stomach and start to rise.

Madam Fan’s husband helped Old Zhu pull the body down. They both flinched as the warm head flopped unnaturally on the stretched neck, and the legs left a cold smear of sewage on the bed. Madam Fan’s husband closed the staring eyes as Old Zhu wiped his hands in disgust. Madam Fan’s husband curled his lip when he saw that shit had landed on both his shoes. Old Zhu looked up through his tears and saw the black characters across the wall, Party Secretary Li’s final message:

 

Honour and wealth are gusts of wind

That blow for a while then disappear.

 

That night the pale moon rose in the eastern sky, before the storm clouds rolled over it. Thick soaking clouds that dropped anchor over the factory and started to rain. The first drops rang out loudly as they dashed against the window­pane. The individual rattles increased to a thunder like the firecrackers that had celebrated Spring Festival only fifteen days before.

As the rain fell Autumn Cloud sat alone, sniffing in the cold azure candlelight, grief turning slowly in her gut. Tears of sleet built up a thousand layers of cold, a cold so fierce it stunned the flesh. To Old Zhu the world seemed unbearably damp, and he took a candle to melt his melancholy with a cup of wine. Madam Fan struggled to sing her lines of opera, A young nun am I, sixteen years of age; My head was shaven in my young maidenhood; her voice drowned out by the noise of the falling water.

All night the truculent heavens poured their anger down on the factory, swamping the nearby paddy fields and the streets alike. The gutters burst, the river flooded; the streets were opaque with rain.

In the Li family flat the ceiling sprang a leak. Water seeped through the roof and slithered down the shaft of the fan. It collected on the fan’s underside, the water gathered and swelled up to a droplet, and jumped. Unseen in the empty room of Party Secretary Li’s last lines, the water dripped that long night to pieces.

Tuesday, May 7, 2013

What is wrong with the publishing industry?

So: eleven years ago I sold my first novel, for a record breaking amount, and with a splash of publicity.  That novel was called The Drink and Dream Teahouse.  It was set in modern China, and went on to win a number of prizes - including a Betty Trask Award, and the Geoffrey Faber Memorial Prize, whose previous winners include Seamus Heaney, J.M. Coetzee, Julian Barnes, Will Self - well, check the link and see.  It's the who's who of modern British fiction.  I was delighted!

The hardback came out and got great reviews and sold well.  (Heh - I'm biased, but I think it's a great book! - Scroll down to check out some of the quotes below....)   It was translated into thirteen languages, the Chinese government banned it, and the Washington Post  made it one of their Notable Books of the Year.

And then my editor left the publishing house to become an agent.

And the new editor wasn't interested in my next book, and so I found a new publisher.  And within a year The Drink and Dream Teahouse was out of print. 

This is how daft the modern publishing industry is. 

Of course, I wanted it back in print, but the publishing industry isn't geared up for backlists.  Marketing revolves around the buzz of a new book.  There was no interest in getting this great book back in print.  Not even as an ebook. 

And until recently there wasn't much an author could do about this. 

Thankfully this has all changed.  Technology means that authors can publish and distribute their books, and readers can get to things that the publishing industry can't or wont publish. 

Personally I'm excited for the possibilities this now offers.  I'm working on a series about the Battle of Hastings, and there are parts of the story that don't really fit into the novels I'm writing.  But there are many parts of the story that would work well as short stories.  But no one publishes Historical Fiction shorts, so ebook publishing again offers great opportunities for authors and readers to get around the limitations of legacy publishing.





Praise for The Drink and Dream Teahouse

‘A vivid portrait of a small community in provincial China…Hill gives us plenty of insights into contemporary Chinese politics and its new economic rigours…his main interest resides in the domestic: family meal times, romantic mishaps, and nights out at the Number One Patriotic Karaoke Nightclub’ 

Emma Hagestadt, Independent on Sunday 

 
‘Justin Hill knows China inside out.  Every sentence is filled with knowledge, affection and a poignant sense of loss’

Washington Post

 
‘A fine novel… The Drink and Dream Teahouse is very well written and creative, a wonderful antidote to much writing about China, whether the three-generation-fiction style of Wild Swans or the backward-looking bitterness of most recent memoirs’

Frances Wood, Times Literary Supplement

 
‘[Hill] occupies the consciousness of these characters with convincing confidence. His impressive knowledge is complemented by a sensitivity to China’s past and an awareness of the cultural life that offers hope in its persistence’

Peter Ho Davies, The Independent

 
‘A vivid portrait of a small community in provincial China that is making a painful transition to a ‘socialist market economy’.  Although he neatly sketches in the political and economic background of contemporary Chinese life, Hill’s focus rests entirely on his characters and their romantic and familial problems…It should….appeal to anyone wanting a conventional read in an unusual setting’

Daily Mail


‘China has been thrown into upheaval as it adapts to capitalism, but most of the effects on its populace have been hidden from us. The disruption is the basis for Hill's novel, which examines the shifting fortunes of some of the residents of the provincial city of Shaoyang. Hill's decorously written tale of fraught romance amid social cataclysm is by turns entertaining, moving and amusing

Peter Carty, The Observer

 
‘This is intelligent and interesting novel about the clash between Chinese communism and Western capitalism. And the struggle between the two ideologies is focused exactly where it should be – in family life…. The Drink and Dream Teahouse has many passages that are extremely moving…its thoughtfulness reflects well upon the author, who shows promise as an engaging storyteller’

Mary Loudon, The Times

 
‘A novel about human failure and endurance. Faith is little more than a joke between muttering nuns in a run-down temple. Art is given voice by one woman belting Beijing opera from the balcony of her factory flat. Language has lost its meaning, somewhere between communist slogans, village proverbs and over-iterated ancient poetry. And yet the rituals of mourning and celebration continue, the social distinctions of old China persist (landlords who no longer own land, peasants who run video shops), and poetry still makes some people cry, or fall in love…a direct and powerful novel portraying modern China with humour and affection’ 

Stephanie Smith, New Statesman

 
‘Hill’s portrait of modern-day Shaoyang is brilliantly vivid: a world of Western-style restaurants and supermarkets that are far too expensive for most of the town’s inhabitants. If you have ever wondered what daily life in contemporary China might really be like, this will tell you more than a thousand travel books’

Jerome Boyd Maunsell,  The Times

 
The Drink and Dream Teahouse is a tale of old versus new, hopes and illusions crushed and generations attempting to understand each other, and themselves. It is a story about the search for ideals and meaning in a time of change and political and economic turbulence.’

Visage Magazine

 
'a masterful tale of China’s full circle, but what is truly remarkable about this novel is that the characters rise above their stereotypes…A must read if you’re looking for a book that delivers on many levels’

Gabriella Boston, The Washington Times

 
‘Justin Hill has said that during his evacuation flight from Eritrea in 1999, he read Gabriel Garcia Marquez's One Hundred Years of Solitude. It's no surprise, then, that he brings that same sensibility to this novel of modern China that is really about the profound differences between the old and the new in a country that lies uneasily between both’

Lee Milazzo, Dallas Morning News

 
‘Hill weaves together ex-revolutionaries, wannabe opera singers, peasants-made-good and corrupt party officials.  A fascinating journey’ 

Big Issue

 
'The Drink and Dream Teahouse is noteworthy as one of the relatively few novels in English set in the China of ordinary people struggling to live according to rules that are constantly rewritten’

Chicago Tribune

 
‘A hugely ambitious novel.’ 

Times Literary Supplement

 
‘The wonderful thing about Justin Hill’s writing is that he presents the Chinese as neither exotic nor quirky, but as fully rounded people… His descriptions of China are video-like. One feels lifted up and transported to the village of Shaoyang…this is a bold picture of post-Tiananmen China, and his ability to absorb this complex culture is impressive….It's the kind of book that will stay with you for years’

Asian Review of Books

 
‘A minor masterpiece…reading it is like discovering an early novel by D.H. Lawrence.  It has strength and gentleness combined…it's the most compulsively readable novel set in modern China I've ever read…Hill has all the hallmarks of a major writer. We will be hearing a lot more of him, and with luck before very long’

Bradley Winterton, Taipei Times

 
‘The setting of this story is absorbing on a number of levels…the story of broken hearts at the core of this fine first novel is effortlessly woven in and out of the drab flats and the even drabber lives of ordinary people, here brought wonderfully to life’

Irish Independent

 
‘When a factory closes down in a small Chinese town, it is a signal for the old culture to confront the new. A touching and funny portrayal of the lives, loves and losses of ordinary people coming to terms with the new China’

The Bookseller, Star Rating

 
‘Hill’s novel doesn’t fall into the travelogue trap or get bogged down with politics. It offers a compelling and very moving portrait of a community trying to find its way in an ever-changing world, and that’s something everyone can relate to. Excellent’

Matt Inslone, Time Out

 
The Drink and Dream Teahouse is full of fascinating insight into the character of the Chinese people. This novel records a period of profound change in China, of course, but Justin Hill isn't naïve enough to draw that like a fault-line through the story. He understands, like Tolstoy, that human nature cannot change along with the times’

Edward Stern,  The Independent on Sunday

 
‘In Hill’s China, the past is ever close behind…His voice is tender and wise beyond his years’

Publishers Weekly

 
‘Hill…spins a marvelously credible and affecting tale about a colony of human barnacles shipwrecked through decades of turbulent Chinese history…Hill displays an intimate, artfully nuanced knowledge of Chinese customs, bureaucracy, and character in one of those novels that seems, like its people, to have found its own rare way.’

Kirkus Reviews

 
‘In the shadow of the Chinese town of Shaoyang's defunct Number Two Space Rocket Factory lives an eclectic group of people deeply rooted to the factory's past as their town's center of industry….Through the Cultural Revolution and the tragedy at Tiananmen Square, Hill's cast of characters is like driftwood tossed about by China's undulating political currents, with generational gaps that run deeper than any ocean’

Elsa Gaztambide, Booklist

 
The Drink and Dream Teahouse breathes life back into representations of modern China, and steers way from the historical memoire genre…There are elegiac splashes of beauty throughout, but the book also resists the urge to tie up every detail…This is an enjoyable debut that should lull you back too reading oriental titles if you’ve had enough of Geisha books’

Sinead Gleeson, RTÉ Online

 
‘On receiving a novel whose accompanying publicity is all about the vast sums publishers bid for it, a reviewers natural instinct is to sharpen the flaying knife.  But I have to say that this one, which achieved a record-breaking advance, really is remarkably good’

Jessica Mann, Sunday Telegraph

 
‘Hill's thoroughly developed characters come to life in an equally well-realized setting... [He] uses wit and great powers of observation...China has been thrown into upheaval as it adapts to capitalism, but most of the effects on its populace have been hidden from us. The disruption is the basis for Hill's novel, which examines the shifting fortunes of some of the residents of the provincial city of Shaoyang. Hill's decorously written tale of fraught romance amid social cataclysm is by turns entertaining, moving and amusing’ 

Library Journal