Tuesday, May 7, 2013

What is wrong with the publishing industry?

So: eleven years ago I sold my first novel, for a record breaking amount, and with a splash of publicity.  That novel was called The Drink and Dream Teahouse.  It was set in modern China, and went on to win a number of prizes - including a Betty Trask Award, and the Geoffrey Faber Memorial Prize, whose previous winners include Seamus Heaney, J.M. Coetzee, Julian Barnes, Will Self - well, check the link and see.  It's the who's who of modern British fiction.  I was delighted!

The hardback came out and got great reviews and sold well.  (Heh - I'm biased, but I think it's a great book! - Scroll down to check out some of the quotes below....)   It was translated into thirteen languages, the Chinese government banned it, and the Washington Post  made it one of their Notable Books of the Year.

And then my editor left the publishing house to become an agent.

And the new editor wasn't interested in my next book, and so I found a new publisher.  And within a year The Drink and Dream Teahouse was out of print. 

This is how daft the modern publishing industry is. 

Of course, I wanted it back in print, but the publishing industry isn't geared up for backlists.  Marketing revolves around the buzz of a new book.  There was no interest in getting this great book back in print.  Not even as an ebook. 

And until recently there wasn't much an author could do about this. 

Thankfully this has all changed.  Technology means that authors can publish and distribute their books, and readers can get to things that the publishing industry can't or wont publish. 

Personally I'm excited for the possibilities this now offers.  I'm working on a series about the Battle of Hastings, and there are parts of the story that don't really fit into the novels I'm writing.  But there are many parts of the story that would work well as short stories.  But no one publishes Historical Fiction shorts, so ebook publishing again offers great opportunities for authors and readers to get around the limitations of legacy publishing.





Praise for The Drink and Dream Teahouse

‘A vivid portrait of a small community in provincial China…Hill gives us plenty of insights into contemporary Chinese politics and its new economic rigours…his main interest resides in the domestic: family meal times, romantic mishaps, and nights out at the Number One Patriotic Karaoke Nightclub’ 

Emma Hagestadt, Independent on Sunday 

 
‘Justin Hill knows China inside out.  Every sentence is filled with knowledge, affection and a poignant sense of loss’

Washington Post

 
‘A fine novel… The Drink and Dream Teahouse is very well written and creative, a wonderful antidote to much writing about China, whether the three-generation-fiction style of Wild Swans or the backward-looking bitterness of most recent memoirs’

Frances Wood, Times Literary Supplement

 
‘[Hill] occupies the consciousness of these characters with convincing confidence. His impressive knowledge is complemented by a sensitivity to China’s past and an awareness of the cultural life that offers hope in its persistence’

Peter Ho Davies, The Independent

 
‘A vivid portrait of a small community in provincial China that is making a painful transition to a ‘socialist market economy’.  Although he neatly sketches in the political and economic background of contemporary Chinese life, Hill’s focus rests entirely on his characters and their romantic and familial problems…It should….appeal to anyone wanting a conventional read in an unusual setting’

Daily Mail


‘China has been thrown into upheaval as it adapts to capitalism, but most of the effects on its populace have been hidden from us. The disruption is the basis for Hill's novel, which examines the shifting fortunes of some of the residents of the provincial city of Shaoyang. Hill's decorously written tale of fraught romance amid social cataclysm is by turns entertaining, moving and amusing’

Peter Carty, The Observer

 
‘This is intelligent and interesting novel about the clash between Chinese communism and Western capitalism. And the struggle between the two ideologies is focused exactly where it should be – in family life…. The Drink and Dream Teahouse has many passages that are extremely moving…its thoughtfulness reflects well upon the author, who shows promise as an engaging storyteller’

Mary Loudon, The Times

 
‘A novel about human failure and endurance. Faith is little more than a joke between muttering nuns in a run-down temple. Art is given voice by one woman belting Beijing opera from the balcony of her factory flat. Language has lost its meaning, somewhere between communist slogans, village proverbs and over-iterated ancient poetry. And yet the rituals of mourning and celebration continue, the social distinctions of old China persist (landlords who no longer own land, peasants who run video shops), and poetry still makes some people cry, or fall in love…a direct and powerful novel portraying modern China with humour and affection’ 

Stephanie Smith, New Statesman

 
‘Hill’s portrait of modern-day Shaoyang is brilliantly vivid: a world of Western-style restaurants and supermarkets that are far too expensive for most of the town’s inhabitants. If you have ever wondered what daily life in contemporary China might really be like, this will tell you more than a thousand travel books’

Jerome Boyd Maunsell,  The Times

 
‘The Drink and Dream Teahouse is a tale of old versus new, hopes and illusions crushed and generations attempting to understand each other, and themselves. It is a story about the search for ideals and meaning in a time of change and political and economic turbulence.’

Visage Magazine

 
'a masterful tale of China’s full circle, but what is truly remarkable about this novel is that the characters rise above their stereotypes…A must read if you’re looking for a book that delivers on many levels’

Gabriella Boston, The Washington Times

 
‘Justin Hill has said that during his evacuation flight from Eritrea in 1999, he read Gabriel Garcia Marquez's One Hundred Years of Solitude. It's no surprise, then, that he brings that same sensibility to this novel of modern China that is really about the profound differences between the old and the new in a country that lies uneasily between both’

Lee Milazzo, Dallas Morning News

 
‘Hill weaves together ex-revolutionaries, wannabe opera singers, peasants-made-good and corrupt party officials.  A fascinating journey’ 

Big Issue

 
'The Drink and Dream Teahouse is noteworthy as one of the relatively few novels in English set in the China of ordinary people struggling to live according to rules that are constantly rewritten’

Chicago Tribune

 
‘A hugely ambitious novel.’ 

Times Literary Supplement

 
‘The wonderful thing about Justin Hill’s writing is that he presents the Chinese as neither exotic nor quirky, but as fully rounded people… His descriptions of China are video-like. One feels lifted up and transported to the village of Shaoyang…this is a bold picture of post-Tiananmen China, and his ability to absorb this complex culture is impressive….It's the kind of book that will stay with you for years’

Asian Review of Books

 
‘A minor masterpiece…reading it is like discovering an early novel by D.H. Lawrence.  It has strength and gentleness combined…it's the most compulsively readable novel set in modern China I've ever read…Hill has all the hallmarks of a major writer. We will be hearing a lot more of him, and with luck before very long’

Bradley Winterton, Taipei Times

 
‘The setting of this story is absorbing on a number of levels…the story of broken hearts at the core of this fine first novel is effortlessly woven in and out of the drab flats and the even drabber lives of ordinary people, here brought wonderfully to life’

Irish Independent

 
‘When a factory closes down in a small Chinese town, it is a signal for the old culture to confront the new. A touching and funny portrayal of the lives, loves and losses of ordinary people coming to terms with the new China’

The Bookseller, Star Rating

 
‘Hill’s novel doesn’t fall into the travelogue trap or get bogged down with politics. It offers a compelling and very moving portrait of a community trying to find its way in an ever-changing world, and that’s something everyone can relate to. Excellent’

Matt Inslone, Time Out

 
‘The Drink and Dream Teahouse is full of fascinating insight into the character of the Chinese people. This novel records a period of profound change in China, of course, but Justin Hill isn't naïve enough to draw that like a fault-line through the story. He understands, like Tolstoy, that human nature cannot change along with the times’

Edward Stern,  The Independent on Sunday

 
‘In Hill’s China, the past is ever close behind…His voice is tender and wise beyond his years’

Publishers Weekly

 
‘Hill…spins a marvelously credible and affecting tale about a colony of human barnacles shipwrecked through decades of turbulent Chinese history…Hill displays an intimate, artfully nuanced knowledge of Chinese customs, bureaucracy, and character in one of those novels that seems, like its people, to have found its own rare way.’

Kirkus Reviews

 
‘In the shadow of the Chinese town of Shaoyang's defunct Number Two Space Rocket Factory lives an eclectic group of people deeply rooted to the factory's past as their town's center of industry….Through the Cultural Revolution and the tragedy at Tiananmen Square, Hill's cast of characters is like driftwood tossed about by China's undulating political currents, with generational gaps that run deeper than any ocean’

Elsa Gaztambide, Booklist

 
‘The Drink and Dream Teahouse breathes life back into representations of modern China, and steers way from the historical memoire genre…There are elegiac splashes of beauty throughout, but the book also resists the urge to tie up every detail…This is an enjoyable debut that should lull you back too reading oriental titles if you’ve had enough of Geisha books’

Sinead Gleeson, RTÉ Online

 
‘On receiving a novel whose accompanying publicity is all about the vast sums publishers bid for it, a reviewers natural instinct is to sharpen the flaying knife.  But I have to say that this one, which achieved a record-breaking advance, really is remarkably good’

Jessica Mann, Sunday Telegraph

 
‘Hill's thoroughly developed characters come to life in an equally well-realized setting... [He] uses wit and great powers of observation...China has been thrown into upheaval as it adapts to capitalism, but most of the effects on its populace have been hidden from us. The disruption is the basis for Hill's novel, which examines the shifting fortunes of some of the residents of the provincial city of Shaoyang. Hill's decorously written tale of fraught romance amid social cataclysm is by turns entertaining, moving and amusing’ 

Library Journal

 


 

Thursday, February 28, 2013

Newsletter #2 out!



There's so much happening at the moment it's hard to keep track!  

Highlights this month are a very exciting publication, appearances in Beijing and Hong Kong, and news of a secret mission to a very closed country: taking Shieldwall to places not even the Vikings ever got to!

Make sure you don't miss out!  Subscribe to my newsletter!

Tuesday, February 5, 2013

Feb 2013: What's happening here.....

For those of you not yet subscribed: here's my first newsletter.

and you can subscribe to the newsletter here


First things first: thank you for subscribing to this newsletter.  I’m delighted to see so many of you signing up, and I’m doubly delighted that I know very few of you: yet!  Hopefully this is something that changes over time…..  feel free to get in touch if there’s something you want to know, or read!

So: what to expect from this newsletter? 

I’m certainly not planning to bombard you with trivia.  You’re busy and so am I, but if you want a constant Justin-Hill-Buzz in your life, feel free to subscribe to my twitter account at @JHillAuthor, or go ahead and find my Facebook page, where there’s an almost daily feed of things that seem interesting. 

What this newsletter will give you is a place to find out first what’s coming up from me.  In fact, I want it to be the place.  First and foremost!

As you may know, I’ve set out to place 1066 and the Battle of Hastings in its proper historical context in a series of novels.  Shieldwall has given this story a cracking start, and I intend to follow it up with great books that bring you through this history in a way that’s compelling, informative and most importantly, great reads.

One problem I have heard from readers is that it takes too long between finishing reading a book and the next book getting to print.  There’s nothing I can do about this, I’m afraid!  Compared to some, I write slowly.  Compared to others, I’m a blur of pages.  But as a reader, I understand how frustrating it is to have to wait for an author to put the rest of the story under the feet of the characters you love. 

To tide you over, I’ve decided to start releasing a few special items that will hopefully keep you happy, and not leave you too hungry. 

Many bits of the historical story fell out of Shieldwall because they didn’t fit into Godwin’s story.  So I’ve decided to rework some of those into short pieces (a proper name would be short story or novella – although I see them all as part of the jigsaw) and publish these as ebooks, print on demand and limited edition prints. 

Other publications are some of the translations of Old English poetry that I worked on as part of ‘background mood’ building, some non-fiction pieces, or other translations.  I have ideas of what might be interesting to you, but I’d love to hear your ideas too! 

As a writer I find all the possibilities of epublishing both exciting and liberating, and I hope it means I can keep readers happy too. 

So – to get back to the original question – what’s this newsletter for?

Well, it’ll be the best and first place I announce upcoming work and publications; and all the e-publications to keep you in Hill writing.  There’s a few things coming soon – so stay posted. 

It’s also where I’ll give you news on the progression of the second novel, Hastings, which is due out in Spring 2014.  (No guesses what that’s about..!)

Thank you again!  And welcome!

 

Justin

 

 

Tuesday, January 22, 2013

The book you're reading is influencing your writing: how to make it work for you!


It’s work day for me today: I’m banging through that long list of jobs I’ve been juggling and not quite dropping.   So if you’ve been waiting to hear back from me on something, chances are an email is on its way!

Back to the topic of today’s post and it’s something of a follow up from the previous post which was all about reading and why that is important when you’re trying to write.   How you start to write like the writer you're reading.  And how use this.   
 
So: you pick up a book.  You like the style.  The next morning you sit down to write, and find that the author has got into your brain.  They're taking over your personality.  You’re starting to write like them!  There's a puppet master in your brain! 

Well: there are two choices: stop reading or stop writing, and neither of them are very attractive. 
How to make it work for you? 
It’s pretty simple really: you pick a book that’s similar to the one what you want to write.  Need a bit of romance into your spy thriller: pick up Love in the Time of Cholera.  Want to put some dramatis into your novel, read Homer.  Looking for a gritty post apocalypse feel: read Game of Thrones.  Need authentic details in your military Sci-Fi novel: read one of the Special Forces novels set in Iraq.   The details you want, or the ‘feel’ of the writing will seep into your own.  I promise! 

I’ve used this process a number of times: each in a different way. 
With Shieldwall, I set out to do something I hadn’t done before – write a real page-turner.  I felt pretty confident about writing pretty sentences and getting the characters right, but there’s a knack to page-turners, and so I set a pile of genre fiction by my bedside, and soaked that deep.

When I was writing The Drink and Dream Teahouse, a novel set in modern China, I wanted to absorb some of the sensibilities of that part of the world, and tore through a pile of Chinese fiction and poetry before I went to sleep at night – and let it simmer away in my subconscious all night - so that a flavour of it would come through next morning when I started to write.

 Trust me: it'll work.  ;-)

 

 

Wednesday, January 16, 2013

Why I'm writing less and reading more: and prospects for 2013

The bad news is I missed my deadlines for Hastings last year.   Unfortunately for you, it means that you'll have to wait an extra year to read the sequel to Shieldwall.

The good news is that I'm well into the novel, and it's going really well.  I'm enjoying the characters, the story and the way they're interacting, which means that it'll be a cracker when it comes out, in spring 2014.

Having said all that: i've got a lot of work to do, and one of the great things about the Christmas break was that it gave me time to read.  And this is where I've so far managed to keep to my resolution, which is to give myself more time to read: because when I'm emptying my imagination at a furious rate, there's nothing better to refill it than some great fiction. 

I've finished two books so far this year: Martin Booth's Gweilo, an account of Childhood in 50s Hong Kong, and George RR Martin's A Storm of Swords, a mere whipper-snapper of a novel at 424,000 words, according to this little gem of a website.  http://www.cesspit.net/drupal/node/1869

I'm currently into the sequel: which is a lightweight 300,000 words (why do people give Martin a hard time about how long his novels take to write: he's writing the Bible! - Actually he's written two Bibles, as the Bible clocks in at 773,000 and The Song of Ice and Fire is so far twice as long as that....) and really savouring the many pleasures of a good book. 

I'm excited about this year: not because it's 2013 or the world's going to end, but because there are going to be some very interesting developments this year as I move into ebooks: subscribe to my mailing list to make sure you'll be the first to know.  http://www.justinhillauthor.com/get-in-touch/

Tuesday, July 3, 2012

Sunday Times Summer's Must-Packs: Best Reads for the Beach

Shieldwall is a must-pack for this summer's holidays: beach or not

Monday, June 11, 2012

How to Write a Medieval Novel: Eat Like a King


One of the tricks of convincing fiction of any period is to get all the little details right.  Top of the most neglected things in writing is things like toilets, food, and personal hygiene. 
While it’s probably hard to bring across medieval smells, and as many of these smells would seem ‘normal’ do you want to be drawing attention to them all the time?  Probably not, but one thing that’s good and fairly easy to get in is food and the delights of the table.  

Stews and kebabs are a simple, and timeless way of cooking meat.  Here a scene from the Bayeux Tapestry


Our modern dinner table with metal knives, forks spoons and china plates are a surprisingly modern invention, but what would a medieval table look like?  This of course depends on when exactly you’re setting your story, and there are some important moments to think of.  Most people ate with a spoon, knife and fingers.  Forks didn’t come into fashion until Richard II, who was also supposed to have brought in the handkerchief, and who also inspired the first English cookbook: Curye onInglysch, which covers dishes like Malaches, Raphioles, Crustardes of flessh. 

Want to try these meals?  Well, there are a number of places where you can pick up medieval recipes for all kinds of dishes: from the royal to the everyday.  While there are a number of places that allow you to dress up and feast in right royal medieval style, it’s takes a little more work to eat like a peasant.  

Peasant food is of course a tad more timeless.  But it’s not hard to make rye bread, sour dour bread, flat breads.  Or even sample curds and whey, and many other staples that we no longer eat.   

Until about 150 years ago, most people in England used wooden bowls and plates for eating.  Wood turning was one of the ubiquitous industries you would find throughout Europe – and, like parish and shire boundaries - these wood turning workshops have changed little in the last 1000 years.  The last wood turner, George Lailey, died within living memory, in 1958.

A simple peasant meal: circa 2012
I’ve blogged about this before, but its worth repeating a little here: of how Lailey’s hut was almost exactly like Anglo Saxon grubenhaus.  As Morton said,

'[he] turns bowls exactly as they did in the days of Alfred the Great... to say that eight hundred years seemed to have stopped at the door conveys nothing. The room was an Anglo-Saxon workshop! The floor was deep in soft elm shavings, and across the hut was bent a young alder sapling connected to a primitive lathe by a leather thong.'


While he was the turner, like many other arts, this one has been revived.
  I managed to get a bowl and a plate from RobinWood, 2009’s Artisan of the Year.  Add in a horn spoon, some pottage or curds, and you have a real life re-enactment.   

Mine’s about 5 years old.  It gets used every day for lunch, and while I bake my bread in an oven, not by the side of the fire, it’s fairly easy to replicate many ways of cooking.